Discography >>

ALBUM

RELEASE DATE>>

 

DURATION>>

 

GENRE>>

 

STYLES>>

March 23, 1999

 

43:12

 

Pop/Rock

 

Garage Rock

Psychedelic

Garage Punk

 

TRACK LIST

01. Talk Talk

02. Trouble

03. Cherry, Cherry

04. Taxman

05. Some Other Drum

06. Masculine Intuition

07. The People In Me

08. See See Rider

09. Wrong

10. 96 Tears

11. Come On In

12. Hey Joe

13. Double Yellow Line

14. Absolutely Positively

15. The Eagle Never Hunts the Fly

16. I've Loved You

COMPOSER

Sean Bonniwell

Sean Bonniwell

Neil Diamond

George Harrison

Sean Bonniwell

Sean Bonniwell

Sean Bonniwell

Ma Rainey

Sean Bonniwell

Rudy Martinez

Sean Bonniwell

Billy Roberts/Willian Roberts

Sean Bonniwell

Sean Bonniwell

Sean Bonniwell

Sean Bonniwell

 

TIME

1:56

2:13

3:10

2:33

2:34

2:08

2:56

2:32

2:18

2:20

2:55

4:13

2:12

2:09

4:18

2:39

PRODUCED BY>> Collectables

ENGINEER>> N/A

DESCRIPTION>>

- Sean Bonniwell: Composer

- Neil Diamond: Composer

- George Harrison: Composer

- Rudy Martinez: Composer

- The Music Machine: Primary Artist

- Ma Rainey: Composer

- Billy Roberts: Composer

- William Roberts: Composer

"I remember driving down Sunset Blvd, punching

the five radio

station presets

and hearing

'Talk Talk' detonating from each one."

 

- Sean Bonniwell

REVIEW>> by William Ruhlmann

TERMS & CONDITIONS  |   Site by:

Copyright © 2012 Uncle Helmet's Music, LLC. All Rights Reserved.

This album contains all 12 tracks from the Music Machine's 1966 debut album, (Turn On) The Music Machine (Original Sound 5015), including their two chart singles, "Talk Talk" and "The People in Me," plus both sides of both of their third and fourth singles, "Double Yellow Line"/"Absolutely Positive" and "I've Loved You"/"The Eagle Never Hunts the Fly." This is the group's entire output for Original Sound Records; they switched to Warner Bros. in 1967 and changed their personnel and their name to Bonniwell's Music Machine.

 

Singer/guitarist/songwriter Sean Bonniwell dominates the proceedings with his sonorous voice, whether the band is playing originals like the unforgettable garage rock classic "Talk Talk" or such covers as the Beatles' "Taxman" and fellow garage dwellers ? & the Mysterians' "96 Tears." The playing is rudimentary, but more disciplined than that of many of the rock bands that came into existence in the mid-'60s, and Bonniwell's songwriting is sufficiently varied that it is regrettable the group didn't get much of a chance beyond its initial hit.