Discography >>
ALBUM
RELEASE DATE>>
DURATION>>
GENRE>>
STYLES>>
March 23, 1999
43:12
Pop/Rock
Garage Rock
Psychedelic
Garage Punk
TRACK LIST
01. Talk Talk
02. Trouble
03. Cherry, Cherry
04. Taxman
05. Some Other Drum
06. Masculine Intuition
07. The People In Me
08. See See Rider
09. Wrong
10. 96 Tears
11. Come On In
12. Hey Joe
13. Double Yellow Line
14. Absolutely Positively
15. The Eagle Never Hunts the Fly
16. I've Loved You
COMPOSER
Sean Bonniwell
Sean Bonniwell
Neil Diamond
George Harrison
Sean Bonniwell
Sean Bonniwell
Sean Bonniwell
Ma Rainey
Sean Bonniwell
Rudy Martinez
Sean Bonniwell
Billy Roberts/Willian Roberts
Sean Bonniwell
Sean Bonniwell
Sean Bonniwell
Sean Bonniwell
TIME
1:56
2:13
3:10
2:33
2:34
2:08
2:56
2:32
2:18
2:20
2:55
4:13
2:12
2:09
4:18
2:39
PRODUCED BY>> Collectables
ENGINEER>> N/A
DESCRIPTION>>
- Sean Bonniwell: Composer
- Neil Diamond: Composer
- George Harrison: Composer
- Rudy Martinez: Composer
- The Music Machine: Primary Artist
- Ma Rainey: Composer
- Billy Roberts: Composer
- William Roberts: Composer
"I remember driving down Sunset Blvd, punching
the five radio
station presets
and hearing
'Talk Talk' detonating from each one."
- Sean Bonniwell
REVIEW>> by William Ruhlmann
TERMS & CONDITIONS | Site by:
Copyright © 2012 Uncle Helmet's Music, LLC. All Rights Reserved.
This album contains all 12 tracks from the Music Machine's 1966 debut album, (Turn On) The Music Machine (Original Sound 5015), including their two chart singles, "Talk Talk" and "The People in Me," plus both sides of both of their third and fourth singles, "Double Yellow Line"/"Absolutely Positive" and "I've Loved You"/"The Eagle Never Hunts the Fly." This is the group's entire output for Original Sound Records; they switched to Warner Bros. in 1967 and changed their personnel and their name to Bonniwell's Music Machine.
Singer/guitarist/songwriter Sean Bonniwell dominates the proceedings with his sonorous voice, whether the band is playing originals like the unforgettable garage rock classic "Talk Talk" or such covers as the Beatles' "Taxman" and fellow garage dwellers ? & the Mysterians' "96 Tears." The playing is rudimentary, but more disciplined than that of many of the rock bands that came into existence in the mid-'60s, and Bonniwell's songwriting is sufficiently varied that it is regrettable the group didn't get much of a chance beyond its initial hit.